Bibliofemme Reviews
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PS, I Love You by Cecelia Ahern

(Published by HarperCollins)

Not all books have the same target audience or aspire
to literary greatness. PS, I Love You is not great
literature, it is, I suppose, something to wipe the sand
off with.
However, for a book of this category its main topic is
that of grief, the grief of a young widow and her life
in the year following her husband's death; this
encapsulating struggles with her friends, family and
getting her life together.
There is no doubting from the very beginning of this
novel that the author is young - younger in fact than
the character portrayed. The characterisation lacks
depth of experience and does not seem to benefit from
any prolonged research. Yes, we could decide that this
is a portrayal of an immature 29 or 30-year-old woman
who has been closeted within her marriage, big house
with garden and comfortably off family. Yet the
grieving process does not just consist of moping and
sniffing jumpers. I believe the author has made some
efforts to understand it more fully - in particular
her attention to the surprise of who is supportive
following a bereavement, but ends up with a shallow,
and at times jarring, portrayal.
And so to the hook - the deceased husband prior to his
death sends Holly a parcel containing notes with
instructions on them - one for each of the following
ten months. I have decided that this husband is
characterised as a man who knows his wife isn't up to
much; as the instructions are banal to say the least -
"buy a new outfit", any woman can do this by herself,
maybe this is a gentle reminder from the deceased that
life needs to slowly go on in the most simple of
manners and Holly needs to remember that she is an
attractive young woman, yet this is not articulated.
I think there is the beginnings of a beach book author
here but if I was her editor I would question her
methodologies as she seems to be two decidedly
unreliable methods of "research"; what
the author knows (little pink tops and holidays in the
Canaries), which is used whether it is really relevant
or not, and what she imagines, which quite often annoys
due to its lack of authenticity eg internet usage in
Dublin libraries is free and needs to be booked, you
can't turn up to use a machine and be left in tears with
a bill for €15 for 44 minutes, and anyway if your
husband was in marketing and has a computer at home
and you are so handy on it would you not have internet
access!! Bridal boutiques predominantly need
appointments; you cannot trail around 20 in Dublin
without the sniff of a prior phone call! Yes it will
piss you off every now and again.
OK, I'm not quite saying it is awful, the premise
could allow for a very interesting story, however this
is not it. Clap on the back - you wrote a book, got it
published, that's all well and good. But the quality
of writing in this novel is akin to a leaving
certificate essay. The Joe Duffy phone lines will
be alive with the sounds of "ah leave the poor girl
alone," but if you write a book you are open to
criticism and well, I could go on and on -
unsympathetic shallow characters, obvious and
uninteresting plot development, poor descriptive
capacity. I'm not criticising 'cos you're famous love,
it's because this story should have stayed on the
computer for a couple of years, until it was in the
hands of a mature and capable writer. Really I blame
the editor as whatever talent this girl showed
obviously wasn't given the help it needed.
Would I recommend it? No. If I didn't have to read it
would I have? No. What if your Aunt Maureen gave it to
you for Christmas? Well, wait until you are desperate
for something to read, umm no scratch that - there is
always last week's newspaper.
Also by Cecelia Ahern
Where Rainbows End
January 2004